In the storm-tossed tr.5 (from Griselda) she negotiates the difficult wide leaps and agitated rapid fire passages admirably, as is the case with tr.10 from Ottone in villa. Emma Kirkby copes with the challenges of Vivaldi’s incredibly demanding vocal writing with style, catching the mood of each aria perfectly. These are full of lively and beautifully crafted playing, all with that lovely sheen period stringed instruments bring to their sound. Her arias are taken from a range of different operas, and are interspersed with orchestral Sinfonias, or operatic overtures, stylishly played by the Brandenburg Consort. Of the many pleasing aspects of this CD, foremost is the virtuoso singing of Emma Kirkby, a soprano long-associated with the best in Baroque and early music vocal performance. Performances of his operas today are still a real rarity, so the arias on this excellent disc, some of which have never been recorded before, offer our only insight into what might be expected from this relatively overlooked area of Vivaldi’s output. He died there a month later.Vivaldi has long been regarded primarily as a composer of concertos, yet, although his debut as an operatic composer didn’t happen until he was 35, from that point on he was equally prolific in both fields. His last operas, in the late 1730s, being unsuccessful, Vivaldi went to Vienna in 1741, possibly to supervise the performance of one of his works. Vivaldi’s first known opera, Ottone in villa, was performed in Vicenza in 1713 a string of successes in his native Venice, Rome, Mantua (in Hapsburg employ), Florence, and Milan followed. By his reckoning, he composed 94 operas, but musicologists have only identified 49 of these, a mere 22 survive, most found in the Library of Turin. He was, though, more than just an instrumental composer he was a priest (his severe asthma forced him to leave the priesthood) violin teacher pizza inspiration and one of the most prolific opera composers of his day.
Vivaldi is best known for the Four Seasons.
0 kommentar(er)
